The theatrical songwriting team of Maury Yeston and Arthur Kopit created a musical based on the novel, Phantom, which investors backed out of after Webber's version became a huge hit. Kay places the highest priority on portraying romantic aspects of Erik's life. The story follows Erik through his entire life, starting with the night of his birth, and is told from different viewpoints throughout the novel (Erik's mother, Erik, Nadir/the Persian, Christine, and Raoul). In addition, the ending/resolution is quite different from Leroux's. However, Kay (as explained in her Author's Note) changes and shapes the character to match her own vision, influenced by other adaptations besides the original. One such popular literary adaptation is the Susan Kay novel Phantom (1990), a fictional in-depth story of Erik from the time of his birth to the end of his life at the Paris Opera House.įor the most part, Kay's novel stays in context with Erik's life history as laid down by Leroux. Many different versions of Erik's life are told through other adaptations such as films, television shows, books, and musicals. In the novel, Erik often refers to himself in the third person, a detail that didn't make it into any subsequent adaptations. Most of the character's history is revealed by a mysterious figure, known through most of the novel as The Persian or the Daroga, who saved Erik's life in Persia, and followed Erik to Paris other details are discussed in the novel's epilogue (e.g., his birthplace is given as a small town outside of Rouen, France).

Erik himself laments the fact that his mother was horrified by his birth deformity, and that his father, a true master mason, never saw him. The novel confirms that Erik has traveled to multiple countries including France, Russia, Persia, and northern Vietnam, learning various arts and sciences from each region. In the original novel, few details are given regarding Erik's past.

The phantom of the opera is an opera.